This article asserts that there are current trends in the practice and training of art therapy that are influenced and inspired by technologies, space, and art. Culture enriches these intertwined constructs demanding that practice and training are duly informed, especially within the contexts in which these are applied. The article is consolidated through a practitioner-based reflective account of the author’s experience of leading a weeklong overseas trip with postgraduate art therapy students from Singapore to Bali, Indonesia.

Featuring 50 personal artwork collections by 50 local artists, this catalogue by Comma Space 逗号空间 accompanies the exhibition ‘Artist as Collector,’ which explores the relationships between the artists and their peers in Singapore. Through archiving the personal stories of how an artwork has been acquired by a fellow artist, the book offers a unique view of art about life.

Actor Training in Anglophone Countries offers a firsthand account of the most significant acting programs in English-speaking countries throughout the world. The culmination of archival research and fieldwork spanning six years, it is the only work of its kind that studies the history of actor training from an international perspective. It presents the current moment as crucial for student actors and those that teach them. As the profession continues to change, new and progressive approaches to training have become as urgent as they are necessary.