When Junaidi Kusnong, then-LASALLE College of the Arts BA(Hons) Music student, roped in several musician friends for his final-year recital in 2015, all he wanted was to get a good grade.
In the interview with The Straits Times, he revealed that the band started getting invites to gigs at local festivals including 100 + 50 Festival, Esplanade's Baybeats and Mosaic Music Weekend, after being invited to do an encore performance at LASALLE's Lunchtime Concert Series.
Canvas Conversations is a four-piece electronic band that has been heavily lauded by industry insiders for their creation of highly textured soundscapes. Comprising of our Music alumni - Jeff Hue, Lee Bing Xiang, Namie Rasman, and Vick Low - Canvas Conversations will collaborate with fellow schoolmate Aqilah Misuary, and singer-songwriter Ferry to stage a highly immersive performance for the Esplanade’s Mosaic Music Series.
Embodying the passion for filmmaking told from the Singapore perspective, The Puttnam School of Film collaborated with the European Union Film Festival (EUFF), the oldest foreign film festival in Singapore, to screen 29 short films by students alongside each of the EUFF feature films.
Encapsulated within the student films were core issues of national, cultural and personal identity, adding to the SG50 celebrations for the EUFF as they marked their 25th successful year in Singapore.
Four teams of aspiring filmmakers from LASALLE were featured in the 20/20: The Temasek Short Film Project, an inaugural initiative from Temasek to nurture film talent in Singapore.
Through the project, Temasek, a Singapore investment company, supported students with funding and mentorship to create short films inspired by real-life stories from Temasek’s non-profit philanthropic organisations.
Stories explored include a young man’s dream of becoming a dancer, a caregiver’s struggles, and a church leader who learns to accept an autistic teenager in his cell group.
Two veteran industry experts talk about what it takes to draw audiences to Singapore-made television shows.
From writing believable dialogue for television and film to producing high quality content without busting the budget, budding scriptwriters were treated to thought-provoking insights at a seminar conducted by industry experts.
Over 90 minutes on 23 February, Visiting Experts Jonathan Lim and Cynthia Hsiung offered practical insights into crafting television scripts that all television writers need to know.
20 short films that garnered more than a million views on social media were created by students from eight different institutions including LASALLE College of the Arts, as part of 20/20: The Temasek Short Film Project.
Among the 20 stories, the short film titled I Believe received the highest viewership. BA(Hons) Film student Leroy Lim from LASALLE’s Puttnam School of Film & Animation who produced the film, was selected by the film company mm2 Entertainment to produce his first feature film.
Channel NewsAsia reports that Infocomm Media Development Authority (IMDA) and LASALLE College of the Arts introduced a new intensive scriptwriting programme, WritersLab, on Wednesday (7 Dec). This programme is an effort to bring the standard of local television and online scriptwriting to the next level.
At the opening ceremony of the Asia TV Forum & Market (ATF) and ScreenSingapore at Marina Bay Sands Convention Centre on Wednesday (7 Dec), Minister of State for Communications and Information and Health Chee Hong Tat announced the launch of WritersLab, a scriptwriting masterclass by Infocomm Media Development Authority in collaboration with LASALLE College of the Arts, to hone storytelling skills for television and online platforms.
LASALLE BA(Hons) Film alumna Zuki Juno Tobgye was recently featured on The New York Times for her documentary, Searching for Wives, which she directed as her graduation thesis film in LASALLE.
Striving for originality by pushing traditional media genres to the extreme doesn’t always make the end-product better or more novel, says film industry veteran Sophia Wellington.
What’s a Western film without a gun fight; an action flick lacking a car chase or a romantic comedy that doesn’t have the main characters sharing a kiss? Even as film makers strive for originality, there are some conventions that they may have to adhere to for a genre movie to hit the mark with their audiences.
