Research Project Funding
The Research Project Funding (RPF) scheme provides financial assistance to support research projects and activities. It encourages and promotes the undertaking and realisation of small or medium-scale research projects as well as research-related activities that lead to a publishable outcome, and potentially to further in-depth investigations in the research topic.
Past-Approved RPF Projects include:
Venka Purushothaman (P/O): A Study of Cultural Networks and Artist Collectives in Asia
Gilles Massot (F/FAMCI): Jules Itier and Girault de Prangey: the coming of photography to Africa and the first visual recording (aka “duplicording”) of the pyramids of Cheops
Qing Sheng Ang (F/FAMCI): Deterritorialising Animation Practice through Intermedial Transpositions
Fanny Bratahalim (F/FAMCI): At the Crossroads: Investigating the Construction Process of My Chinese-Indonesian Diasporic Identity
Darryl Whetter (F/FAMCI): Turquoise Water, White Liberal Guilt: Poems at Travel’s End
Mitha Budhyarto , Vikas Bhatt Kailankaje (F/DE): Hidden Histories: Design Education in Indonesia, Singapore, and Malaysia (1945 -1980s)
Ruobing Wang (F/FAMCI): The Details of The Everyday in The Art of Contemporary Chinese Artists
Natasha Lushetich (LTR): Imaginations of Disorder in Art-Science-Philosophy
Darryl Whetter (F/FAMCI): Our Sands: A Novel
Hazel Lim (F/FAMCI): Art Patronage in Myanmar and How it Shapes Contemporary Art Practices
Urich Lau (F/FAMCI): Videologue: Encoded Expositions
Salleh Bin Japar (F/FAMCI): Framing a Southeast Asian Aesthetic through a Historical Overview and Development of Contemporary Art Practise of Singapore Malay Artists
Melanie Pocock (ICAS): Conflict in Capture
S Chandrasekaran (F/FAMCI): Third Person: Interpreting Transgendered Bodies Between Narratives in South India
Qing Sheng Ang (F/FAMCI): "Singaporean" Animation?
Hillary Yeo (F/FAMCI): Practice-led Development of a Learning Resource for a Practical Facial Animation Approach.