This symposium is the third in an annual series alternating between single-day and multi-day formats, developed by the Puttnam School of Film & Animation at LASALLE College of the Arts (LASALLE), in partnership with the Department of Japanese Studies at National University Singapore (NUS).
Across two and a half days, the 2026 edition asks how contemporary animation in Asia gets selected, programmed and made visible, as well as who decides these. Following earlier symposiums on animation as form (2024) and as practice rooted in observation and the touch of the hand (2025), this year the focus turns to the systems that carry work from being made to being seen: studios, festivals and classrooms, from those who make the work to those who shape its movement through them.
The symposium gathers artists, festival programmers and scholars from across Asia, alongside students from LASALLE and NUS. Audiences are invited not only to watch but to participate in the act of seeing animation, the question the symposium opens.
Convened by: Dr Gan Sheuo Hui, LASALLE
In partnership with: Department of Japanese Studies, Faculty of Arts and Social Sciences, NUS
Advisors: Chris Shaw, Head, Puttnam School of Film & Animation, LASALLE and Assoc Prof Lim Beng Choo, Head, Department of Japanese Studies, NUS
Supported by: Mitsui NUS Japanese Studies in Southeast Asia Endowment Fund

