On Point+

Event information
Date and time

Exhibition duration: 11–19 Sep 2026
Opening hours: 12:00pm–7:00pm, Mon–Sat (closed on Sunday, public holidays and during College closures)

Location

Brother Joseph McNally Gallery, LASALLE College of the Arts

Event information

Date and time

Exhibition duration: 11–19 Sep 2026
Opening hours: 12:00pm–7:00pm, Mon–Sat (closed on Sunday, public holidays and during College closures)

Location

Brother Joseph McNally Gallery, LASALLE College of the Arts

Event details

On Point+ builds upon On Point, first presented at Ars Electronica Features 2025 with support from the National Arts Council Singapore.

The project re-presents the original solo presentation of the work darkmode/lightmode by Victoria Hertel, curated by Shireen Marican, alongside a curatorial extension, Between States.

As part of this expanded context, this showcase involves students from former and current cohorts of the BA (Hons) Fine Arts and BA (Hons) Art Histories and Curatorial Practices: Asia and the World programmes, offering them a platform to engage directly with the practical, technological, and curatorial processes of art and exhibition-making.

Organised by Shireen Marican and Victoria Hertel
In collaboration with the McNally School of Fine Arts
Assisted by Rachel Lin

With special thanks to Cissie Fu, Hazel Lim and Jeremy Sharma

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Senior Lecturer, Fine Arts

Jeremy Sharma

JEREMY SHARMA
  • MA Fine Arts, LASALLE College of the Arts, Singapore
  • BA Fine Art, Royal Melbourne Institute of Technology, Australia

Jeremy Sharma works with painting and writing, with side interests in music and filmmaking.

He has exhibited widely and his career highlights include solo exhibitions and presentations Recent Paintings (2024) with Haridas Contemporary; Spectrum Version 2.2 with Sullivan+Strumpf Gallery (2017); Orbiter and Sonata with Michael Janssen Gallery, Berlin (2016); Apropos at the Institute of Contemporary Arts Singapore (2012); the Busan Biennale (2014) and the Singapore Biennale (2013). 

Jeremy’s academic contributions include ‘What can we draw from digitality?’ (2023) in the journal Drawing: Research, Theory, Practice, ‘Abstraction As: Object, Process, Rhythm, Force’ at the Singapore Tyler Print Institute (2019), and ‘The influence of cinema on painting’ in the Journal of Contemporary Painting (2015). He runs bulanujung, an experimental curatorial platform and his first publication Slander!—An investigation into auto-theory through six Malayan films was released in 2024 with Set Margins (The Netherlands).

His work has been the subject of critical discussion in various print and online publications including Art Radar Journal, Asian Art News, Asia Art Pacific and Wall Street International and is part of a number of public and private collections.

He has also done residencies in The Netherlands, India, Italy, Mexico, the Philippines and the UK.

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