Form_Flux_Futures 2026

Event information
Date and time

31 Mar–2 Apr 2026

Location

Various, LASALLE’s McNally Campus

Admission

Free, register here

Register now
Form_Flux_Futures

Event information

Date and time

31 Mar–2 Apr 2026

Location

Various, LASALLE’s McNally Campus

Admission

Free, register here

Register now

Event details

A career in design used to be predictable: you learned a craft, found a niche, and sat at a desk until the work was done. But that tidy definition is fraying.

The map has been redrawn. Studios are no longer bound by geography, but exist across borders and cultures. Simultaneously, our relationship with “making” is evolving; between sustainable production and new technologies, we’ve realised that how a thing is made is just as vital as the final result.

Most notably, our roles have become more indistinct yet pervasive. In this expanded field, we’ve traded traditional layouts for AI prompts, interactive systems and public services. We are becoming essential translators, using design to align people and communicate across disciplines.

The old models are gone. What are we building in their place?

For the second edition of Form_Flux_Futures, the School of Design Communication at LASALLE College of the Arts explores our new “Models of Work.”

All events are free and open to the public.

Panel discussions

Day 1, 31 Mar 2026
6:00pm–7:00pm
Block F Level 1 #F101A
Models of Production

Panellists
Darius Ou (Hyperpress)
Amirul Nazree (Spatial Design)
Azelia Ng (The Other Workroom)

In this panel we will discuss the current tension between high and low tech means of production. Hear from our panel about how process and material have inspired and influenced the way our panelists make work and what experimentation means to them.

Register now

Day 2, 1 Apr 2026
6:00pm–7:00pm
Block F Level 1 #F101A
Inter/Trans National Models

Panellists
Randy Yeo (Practice Theory)
Richa Nair (Brand Builder)
Roy Wang (Factory)
Theseus Chan (WERK)

In this panel we will discuss how Singaporean studios are navigating a flow of ideas that doesn’t care about time zones—collaborating across Southeast Asia and beyond. Hear from our panel about their experience of working across geographies, the challenges they faced and the opportunities they uncovered.

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Day 3, 2 Apr 2026
6:00pm–7:00pm
Block F Level 1 #F101A
In/Between/Out of Design

Panellists
Esther Parn (NUS Lee Kong Chian Natural History Museum)
Judea Cheong (DesignSingapore Council)
Melisa Chan (SG Global Network)
Sng Jiarong (Deloitte)

In this panel we will discuss the evolution of the designer’s role from an organiser of information to a translator who communicates across complex disciplines. Hear from our panel about their journeys in, between and out of design, and some of the insights they discovered along the way.

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Other programmes

2:30pm–4:30pm
Block F Level 2 #F214B

This workshop examines scams, deceptions and misinformation from the perspective of design, in order to develop an understanding of our complex and contradictory society. Participants will be provided with toolkits, instructions and basic material to craft speculative scam artefacts. Through making and design speculations, participants are encouraged to imagine and develop new perspectives around scams as a wicked problem.

Facilitated by Hera.

Register now

 

2:30pm–4:30pm
Block D Level 5 #D501

Established in 1953, the TDC (Type Directors Club) competition is the longest running, most prestigious, global typography and type design competition. For over 70 years, it has recognised typographic excellence and celebrated new typeface designs in all global languages.

Facilitated by Vikas Kailankaje.

Register now

 

5:30pm–7:30pm
Lecture Theatre, Block F level 2 #F202

Class Acts is a feature-length documentary tracing the genesis of Singapore’s creative scene in the ’90s through intimate conversations with its pioneering personalities.

From Singapore’s ‘godfather of design’ and the frontman of Singapore’s first hardcore band Stompin’ Ground to the founder of one of Singapore’s earliest graffiti crews ZNC and the streetwear visionary behind 77th Street, these are the stories of icons navigating unchartered paths, government regulations and limited finances to make their mark on culture.

Controversial headlines, arrests, and measures to “clean up” backfired and further stoked the passion of individuals who took things into their own hands, opening the floodgates for a wave of independent design studios, self-published zines and safe sanctuaries in the form of cultural landmarks The Substation and Zouk.

These are the stories of individuals who started creating with nothing, who push Singapore’s creative standards even today. The ones who went on to inspire a new generation of musicians, designers and street artists.

Register now

Advisory: The film is rated PG13.

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